Cameras on camera

I recently purchased a desktop light tent, light box thingy. You know a box you can put on your tabletop, it has various back ground colours and led lighting so you can take product and other photos. I have a few indoor projects in mind for it.

I figured before starting any projects I should probably practice to see how images come out and what pitfalls there are. So I thought I would start by taking some photos of my film cameras.

I originally planned to take these on film but I started with my digital camera (Fuji X-T1 with a zoom lens )to get an idea of the settings and look. It quickly became apparent to me I would need to think more about how to use this when using film. Thus this whole set is shot on digital with some post processing

Before sharing the images the main things I will need to consider for using film are white balance (although can adjust a bit in post). What camera and lens to use to get the right framing that works and with the required focussing distance. Anyway this was just for practise and fun so please enjoy my film cameras on camera

Olympus OM1n

Olympus OM2n

Nikon 35Ti

Hasselblad 2000fcw

Fuji GF670

and a couple of randoms on the black background but ran out of time at this stage

The Hoff – Rolls 5&6 oh man not again

My continuing journey in learning the ways of my Hasselblad 200fcw.

This update, as the sun was out, I thought I would try a couple of rolls of slide film in The Hoff. Those of you that know me well know I am a big fan of slide film for colour work.

I thought as it was a special occasion, for my first slide films in The Hoff I would go for two special films. Fujifilm Provia 400X a sadly discontinued but absolutely fabulous film in 120 format (for some reason I’m not such a fan of it in 35mm) and a roll from 1995 of Kodak Ektachrome 200 that I knew had been well stored from new.

I loaded the Provia 400X first and spent two lunchtimes walking around the City of London taking what I consider the best 12 images I had ever composed. When I finished the roll I unloaded it and…….

I’D ONLY BLOODY GONE AND DONE IT AGAIN. I HAD LOADED IT BACKWARDS!!

But still best 12 images ever and no one can prove me wrong.

Note: I plan to rescue this roll by re-rolling it back in dark bag, Provia 400X is too good to waste.

You may recall from a previous update I said I should get a lens hood. I found one on eBay for a really good price as it had a small dent and some scratches which didn’t bother me

I looked up that it was for an 80mm lens and it arrived nice and quickly. I took the camera out to put the lens hood on and…..

IT DIDN’T BLOODY FIT, WHAT IS THAT ALL ABOUT!!

Note: I haven’t had time to research into this yet, but will hopefully let you know in the next update what I did wrong.

Anyway I am not one to dwell on failure and like to get up and start again. So I loaded the roll of Kodak Ektachrome 200.

A little side note I like to use a polarising filter when shooting slide film. Not for every shot but it can really make the colours pop. Try Velvia 50 with a polarising filter and E6 process and you will see what I mean.

The very nice man who sold me this camera (Hi Mike) gave me the B60-67mm adapter so I could use 67mm filters on The Hoff.

So out I ventured again and guess what

I LOADED IT THE RIGHT WAY AROUND THIS TIME!!

So excited was I a put another roll of Fujifilm Provia 400X in and went out again.

Thus before sharing some images with you there are two more things I wanted to mention.

Aside from the mishaps is there anything else I have learnt about The Hoff this time. Well actually there is. Don’t wind the shutter crank on until you are ready to press the shutter. Basically compose your image fully first as once you wind the crank and the shutter is ready, the view through the viewfinder is much much darker so it is much more difficult to compose. This was a change in process for me compared to how I shoot my 35mm camera.

Secondly, I purchased a 2nd A12 back so now I can shot two different types of film at the same location.

Enough from me now, here are a few images from both the Kodak and Fuji rolls

The Hoff – Learning to use a Hasselblad 2000fcw. Rolls 1&2

Back in November 2018 I picked up a Hasselblad 2000FCW. I had been looking for a Medium Format camera for a while. Having shot/owned a Holga, a Zeiss Ikon Nettar, Yashica Mat124G and Fuji GA645 all great cameras in their own right I still felt I hadn’t found ‘the’ MF camera for me.

I knew I didn’t want a rangefinder. Shooting the Fuji in 38 degrees centigrade in Cyprus for 2 hours only to realise the whole roll of Velvia 50 was shot with the lens cap on pretty much convinced me of this. The Zeiss Ikon Nettar was fantastic but a little too slow and more importantly lacked flexibility in terms of other lenses, using filters etc. The Holga, to this day some of my very favourite images were created with it but it was a real love/hate relationship.

Thus to cut a long story short, I have ended up with the Hasselblad 2000FCW as next on my list to see if it is the one. A little side note about me, in 35mm I use an Olympus OM1n, I know this to be the one for me and have zero interest in any other 35mm SLR. I want this ‘feeling’ for an MF camera, I like the simplicity of one camera choice for each format.

Thus I am now embarking on a 52 rolls project to learn the camera and see if we are going to be long term partners. 52 rolls (as opposed to 52 weeks) so I do not pressure myself to shoot for the sake of it.

I do not intend this to be a camera review. That has very recently been written by Emulsive with his fantastic love letter to this camera.

https://emulsive.org/reviews/camera-reviews/hasselblad-camera-reviews/the-ultimate-guide-to-the-hasselblad-2000fcw-a-focal-plane-shutter-unicorn

This is intended as a record of my thoughts, successes and failures as I take a journey to learn it.

It took me over two months before I loaded my first roll of film in it. Part of the reason was I had been very busy at work and also got hit by a chest infection but if I am honest another part of it was I felt a bit intimidated by it and probably spent a lot of those two months overthinking it. I guess I was a bit overawed by the reputation of the camera but in January, I, with the help of a couple of people on Twitter, pulled myself together and remembered it’s just a camera, chuck some film in and see what happens. Thus film choice was my first decision.

As you can see, I seem to have quite a bit of slide film. Normally when I first shoot a new camera, test a lens etc I end up doing something stupid like loading it with some weird film stock or heavily expired film so I am adding so many variables that the test becomes a bit irrelevant. Thus this time I did the sensible thing, I loaded Ilford HP5 Plus.

And yes well spotted, I did the sensible thing and purchased a copy of the instruction manual.

Now if you have never loaded a Hasselblad before, even with the instructions it is slightly different. You have to loop the film the right way round through the rollers. My first attempt.

The above was my first attempt and completely and utterly wrong. Luckily I realised before it was too late. FYI the film side should be facing out.

Once loaded, out I ventured to take pictures in an area I was very familiar with to take test shots. Because of the light I rated the film at 800 when metering. I found the camera surprisingly light and straightforward to use. Everything felt quite effortless, even the waist level finder. With my Yashica I used to get motion sickness, but not so much with this camera, not really sure why. All was going very well until the 6th frame and the shutter would not fire. I tried everything I could, but was worried about breaking something so took it carefully. Emulsive came to rescue here and we spoke and he talked me through various options as to what the problem could be. Ultimately I managed to wind the film on to the end to save the few frames I had taken. Here are a couple of the shots from roll 1.

I loaded a second roll and as the light had faded by this time, I rated it at 3200. Another short interlude, I was using the lightmeter app on my phone for metering.

This roll went really well in terms of I enjoyed shooting it and got 12 frames. The camera felt good to use and intuitive. It was only when I got the scans back I realised there was a problem.

There were no spaces between the frames, in fact they overlapped in many cases. This could easily be and most likely user error i.e. me winding the crank too quickly. I guess I will know for sure with the next roll. Anyway here are a couple of shots from roll 2

The issues I have had with the film, has not put me off the camera. These are teething problems and precisely why I am committing to 52 rolls before making a decision. There will be many quirks and challenges but this for me is the only real way to learn.

Thus this has been Roll 1 & 2. Time to get on to the next one.

Oh yeah one final thing, yes I have given this camera the name ‘The Hoff’

E6 cars

I have not posted a blog in a few months due to being very busy so I aim to start posting regularly again.

I took my trusty Olympus OM1n to an American car show recently and shot a roll of Velvia 50 and a roll of Provia 100F. Below are some of my favourite images of the cars on show. Hope you enjoy viewing them.

Orange

Sometimes with a roll of film I like to challenge myself with a theme. Thus recently I loaded the Fuji GA645 with a roll of Fujifilm Velvia 100 and set myself the challenge of the theme of Orange. So please see below for the images. Processed E6 by SilverPan Film Lab (in the UK) and scans tweaked in Snapseed.

All images from the same roll, except the chairs one.

The Sound of Sussex – The Good, the Bad and the Ugly

If you follow my blog posts you will see I am a bit of a fan of the Washi S film. This is a black & white sound recording film that I really enjoy using but can leave me with mixed results. So far all the rolls I have shot have been 35mm so I was very pleased to see it was also available in 120.

I was staying at hotel in the Sussex countryside for a weekend away with the family so thought I would give it a try there. I loaded the film in my Fuji GA645 and placed an orange filter on the front. All my previous Washi rolls have also been shot with an orange filter.

Let’s get right to the point these are mainly really bad. I have analysed why and believe the Fuji was not the right camera to use for this film. Ok hang before you say a bad workman always blames their tools, let me explain. Previous Washi film shots I have taken were using my Olympus OM1n. With this camera I could meter through the lens and point the camera at various different parts of the scene and then adjust accordingly. With Washi S it can really blow the highlights if you are not careful and conversely if you are too respectful of the highlights all you will get is really dark areas elsewhere.

I did not use a handheld meter with the Fuji and left it to its own metering, I firmly think this film needs to be shot in a camera with full manual settings and use the TTL metering or a handheld meter. I won’t go into all the different types of metering as quite frankly I am a real novice with this and would just be making things up, I just know through practice and experience with my OM1n how the film works for me.

I will try some more Washi S in 120 but this time in the Zeiss Ikon Nettar with my iPhone light meter. Let’s see if it improves. Anyway enough talking now here are the images.

The negative as I thought you may be interested, shot on top of an iPad, hence the funny patterns

The good:

The Bad:

And the Ugly (although love the clouds in these):

Chrome Headlights

I was lucky enough to visit a show in London recently called the London Concours. This was basically a selection of some of the finest sports and classic cars. I anticipated bright sunny weather and knew the cars would be bright and colourful. so packed some slide film for the afternoon.

The challenges on a day like this are basically crowds and reflections. Thus for certain shots I concentrated on the details to avoid both of those challenges.

Here are a selection of shots, taken on a Fuji GA645 with a mixture of Fujifilm Provia 400X and Kodak Ektachrome 200 EDP developed in E6 by SilverPan Film Lab.

Your Vision

Hello,

I have been very busy lately so not been able to update with any blogs. I am hoping to get back on track and start writing regularly again so here is a short blog to kickstart the process.

When I first started shooting film, I was very much in the ‘I must get it right in the camera’ camp.

There was to be no cropping or editing. Over time I felt this was harsh and although I may have been getting the technical parts right, when I looked at the image it didn’t always match the way I visualised it when I took the shot.

Now this does not bother me nearly as much and I use Snapseed to help me get the image how I visualised it. As I am editing from scans they have already had some manipulation anyway. I demonstrate this with the unedited scan and what I wanted when I took this shot in the two images below.

My basic point is whether you shoot film, digital or any other medium. How much or how little you edit and post-process is your choice. So don’t get hung up over it, be honest with yourself and your audience but above all produce the image that matches your vision.

Image taken on a Fuji GA645 with Fujifilm Velvia 50.

SCAN:

MY VISION:

Discontinued – Fujifilm Neopan 400

I recently purchased a block of Fujifilm Neopan 400 in 120 format from eBay.  I actually only put on a speculative bid and was surprised to win the auction so cheaply.  That said it was not really cheap as I have made a commitment to only buy fresh film and if I was to obtain expired film it would either be swapped for fresh film or I would buy the equivalent value of fresh film in order to support current manufacturers, so actually it cost me double.

Anyway I digress. The reason I made a bid was because Neopan 400 is a lovely film, one that I only briefly got to try as it was discontinued just as I was starting my journey into film photography.   I have shot the 35mm version but never 120.   Thus here I am sitting with 11 rolls of this film, taking up space in the fridge.   The film was sold as freezer stored from purchase.  I guess I will find out soon enough.

I have been thinking about this purchase for a little while now and what type of project I should use this film for.  I am a big believer that film is meant to be shot to fulfil its destiny and there is no such thing as a special occasion to wait for. Yes these stocks are finite and someday there will be no eBay finds but so what, even kept in the freezer it will have an infinite life and over time deteriorate.

Thus I have decided to share the wealth and give 10 of you good people a chance to shoot a roll.

Here is the deal, I will send you one roll of this Neopan 400 in 120 wherever you are in the world and at no charge to you (I can’t control customs charge though!).

Here is my ask of you and I will be trusting you to do this:

• Buy a roll of fresh film from your local store/on-line store.  You can choose whatever film you like at whatever cost level and you get to keep it and use this fresh film in any way you want but it has to be new fresh film. (see first paragraph if you are wondering why I ask this)

• You shoot the Neopan 400 film within two months of receipt, no hoarding it

• The theme of your shoot for this roll of film is ‘Discontinued’  you can interpret the theme in any way you like but this roll has to be shot on this theme

• You submit minimum one, maximum two images from this roll with an accompanying sentence or five on how it felt to shoot this one and only roll knowing you would be unlikely to ever shoot it again.  You are responsible for develop and scan of the film

Here is what I will do with said images and you agree to this too. (I’m a demanding so and so aren’t I)

I will produce a zine called ‘Discontinued’ with the images and words collated from all who have shot a roll, with your name and if you want to provide it your social media contact details, I will have shot one roll also.   You will receive two copies of this zine at no charge or postage cost.   The rest will be sold at cost plus postage and packing, you will get an option to buy extra copies.  There will only be one print run of this zine and then it will be discontinued.  Until I produce the zine I have no idea what the cost price will be, but I will share with you the invoice at the time so you can see this is not money making.

A word about the images.  Although sold as freezer stored, I have no idea on the quality of this film so this could all fall down at the first hurdle, if so, you have had a free film to shoot and I hope you enjoyed the experience.  If however the film is fine, then I don’t want you put off going for this as you think that I am expecting gallery worthy shots.  This is about the process and your thoughts on a last chance to shoot a discontinued stock, the images will thus speak for themselves and kind of why I don’t want a description of the actual image.   This is not a competition and I will also be submitting mine warts and all.  I appreciate this may make some people uncomfortable to take part, it really shouldn’t and is meant to be a fun and interesting project not a professional publication.

Which leads nicely on to the final section, how do you apply?   In order to make this fair please leave your name in the comments field confirming you want to take part.   Then next week (Week beginning   12th March 2018) if there are 5- 10 volunteers, job done you all get to have a go.  If there are more than 10, I will put all the names into draw and pick 10.  If there are 5 or less, this project will discontinue.

Oh yeah, one final comment, if you are sitting on a stash of this film don’t apply it’s about having that one and only chance.

Fireworks

The schools in our area put on a yearly joint fireworks show. I thought I would take the opportunity to take a few photos but did not want to lug around lots of gear as it was a fun family night out. Thus I decided to take the Zeiss Ikon Nettar and one roll of Fujifilm Astia. I had no idea how well the Astia had been stored. I figured with a slow lens and ISO 100 film I would only be able to catch the briefest of lights but hopefully with a dark black background. I set the shutter to 1/25 as I wanted some movement and I set the aperture to f4.5 and shot handheld.

The film was E6 processed and the shots edited in Snapseed. A couple have been cropped quite a bit as I have obviously not got used to the parallax view yet. Enjoy