The Holiday:  Roll 3/10. Velvia 50

Those of you that know me or follow me on twitter (@givemeabiscuit) will know I am a big fan of slide film, with Velvia 50 a personal favourite of mine.

Thus there was no way I was going to Malta and not shoot a roll of this lovely film.  This time however I wanted to try something different and practise long exposure.  Thus I also had with my Lee Filters (10stop ND & 0.6 soft grad).

I tried some daytime long exposures with both filters and some at dusk with the soft grad.

When writing these blogs I always like to ensure I share both what works and what does not work.  It helps me clarify in my mind how/what to do better next time and hopefully provides you with some insight also.

So here come the images.  

The black slides are unsuccessful evening shots

Some normal exposure, (but I still over exposed!)


And daytime long exposure.  Lesson one get the framing right next time, lesson 2 if shooting into the sun, either don’t or at least have a the lens hood and lesson three read up on exposure techniques for this film more thoroughly


And in case you are wondering what total over exposure looks like, it is a completely clear slide that scans like below

Yes this really is the scan

There are some slides the lab did not scan (understandably) but I can see something is there, so will get them rescanned and check them out.

In conclusion, I really really ballsed up the roll of film.

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The Holiday Roll 2/10 Kodak E100VS

As per previous updates I shot 10 rolls of film on my recent holiday to Malta and am sharing how a I got on with each roll.  This update is in regard to a roll of Kodak E100VS.   This is a lovely discontinued slide film from Kodak.  The VS stands for Very Saturated (I think).

I managed to find a brick (10 rolls) of this film and this was the third roll from that brick.  The first roll came out OK and the second roll had a large Cyan cast to it, so I knew the results of this one could be flaky.

This roll was shot during the hottest part of the day (it was over 40 degrees Celsius)  in full sunshine.  I mention this for a reason.

All films on this and previous holidays have been through X-ray machines at the airport.  Whilst in the hotel room they are in air conditioned luxury, in my bag and camera they are not and can be carried around for a couple of days in full heat.  Whilst I am no way suggesting that we can safely keep our film sitting on a hot radiator at home, I do sometimes wonder are we over cautious with keeping films in the fridge and worrying about how they will be affected by heat.  I get storing them long term in fridges/freezers but day to day especially with fresh film we maybe do the resilience of film a diservice.

Anyway I digress.  This film as all the others was shot in my OM1n, some shots using a circular polarising filter.  I rated all shots at box speed.

Before I get to the images I want to say the following.  When I see others images with this film I love it and what people can achieve with it which is why I bought the brick.  Slide film can be tough to work with but I do feel we shouldn’t be scared of it because when you get it right slides are wonderful and the scans do not do it justice.  Yes it is expensive and tough but I do believe it is worth the effort.  That said I am disappointed with the results I got with this.  Partly because the scans required more than I normally prefer adjusting in Snapseed* but mainly because I have seen what others have achieved and I know I can do better.  I am finding this film tough.

*side note, IMHO adjust away the same as a darkroom adjustments but I do like to get as close as possible in camera

Enough said here are the results and oh yeah say no to x’pro E6 all the way

The Holiday:  Roll 1/10 Oriental Seagull 100

The third instalment of the rolls of film I shot in Malta.  This time it is Oriental Seagull 100.   I was sent this film (and the 400 version) by @Emulsivefilm (Twitter) www.emulsive.org 

My research tells me this is a rebranded film based on Ilford’s Kentmere range.  The lab that developed this roll and the 400 used the development guide for Kentmere.

I very much liked the results I got from the 400, so was interested to see what the 100 would be like.  (400 example below)

Oriental Seagull 400. Daytime long exposure

The 100 was shot through my Olympus OM1n, at this point in the holiday the meter was working.  What I did however find interesting was I set the camera meter ISO to 100, it was a bright day but the meter seemed to be telling me (against my instinct) that it needed more light, it just didn’t feel right.   This was interesting to me as I am reliant on my meter, yet when I shoot with my Holga I don’t use a secondary meter and go by instinct.  I am slowly learning to trust my judgement with light and scenes.  

Anyway back to how I got on with the 100.  I like the film a lot and if it is basically Kentmere will definitely buy some more.  In terms of the pictures I have taken with it in Malta I am pretty Meh about them, they are only OK.  I believe I rushed this roll too much.  It was the first of 10 rolls for the Holiday and we were visiting the city of Valletta and in my head I guess I felt the need to finish the roll that visit as otherwise I would get behind finishing the 10 by the end of the Holiday.

Anyway enough of the words, here are the pictures so you can make your judgement

The Holiday.  Roll 8/10 Washsi S. The Sound of Valletta 

So following on from my last post shooting the Lomochrome purple in Malta, today’s update is how I got on with Washi S film.

If you have not come across this film before it is a film provided by Washi, a French outfit, best known for their film papers.  I have shot this film twice before.  One time in London where I was very happy with the results and once in Brighton where I got a few images but I wasn’t respectful to the film properties so not so great.

Washi S is a sound recording film used in the motion picture industry.  Shot in a 35mm camera it acts as a very high contrast ISO50 Black & White film.  What I have learnt in the few times I have now tried it, is that you have to be very respectful to the highlights and also the areas where the sun is reflected.

This roll was shot in my OM1n, metered at ISO50 using the Lumu iPhone app and an orange filter on the camera.  A little note, I found it better to meter the whole scene and then also spot meter certain areas of the frame to try and gauge between the bright and the dark to aim to keep the light under control.   This again maybe my own blind leading the blind theory but seems to have worked out.

I shot this roll in the city of Valletta, which is Malta’s capital and also a UNESCO World Heritage sight.  The conditions were bright sunlight, mainly clear skies and shadows from the buildings.

Here are the results, I don’t normally say things like this, but I am very very pleased with the results and looking forward to using and understanding this film more and more.



An idea what a difference one stop makes below


and another example below of one stop difference 


The Parliament area of Valletta 


Near the main gate to the city


The lift to the Upper Gardens


The Architecture
 

Valletta is also going to be European City of Culture in 2018 and they are building up installations, artwork and sculputure to add to the fantastic historical sights they already have.


And finally, my favourite (non-family) photograph of the whole trip.  We were sitting in a typical Valletta outdoor cafe, great food and drink when I took this, it is also the first shot of the roll.  It has come out exactly as I visualised with the film and I love it.


I hope you enjoyed this, still to come from my holidays rolls:  Oriental Seagull 100, Kodak E100VS, Fuji Velvia 50, Kodak Vision 50D, Kodak Vision 250D and Kodak Double x

The Holiday.  Roll 10/10 New Lomo Purple

I recently spent two weeks in Malta for our family holiday.  I originally wasn’t going to take any film cameras with me just my trusty Fuji XT1 as it was a family holiday and not a photography trip.

This thought process didn’t last very long and I knew I would regret it if I didn’t have my Olympus OM1n with me.   The next decision was what film stock to take.  I ultimately decided to take a mixture of films to try different things.  I also challenged myself to shoot 10 rolls in those two weeks.   Considering it was a family holiday which would mostly be spent sitting next to a swimming pool it was quite a challenge to set myself.  The following films were chosen.

10 rolls, 360 exposures, 8 emulsions and 4 different developing processes 


For each emulsion I will do a separate blog post.  Today’s post is the 10th and last film I shot on my holiday (I’m not writing about them in order so yes this is the first blog).  

Lomography Lomochrome purple, their new version.

For context it is important I mention that very early in the holiday the meter broke on my OM1n so I was metering with a combination of an iPhone app and instinct.  I also bracketed more than I normally would.

My first challenge was how to rate the film.  The film suggests anything from 100-400.  I went with rating it at around 250iso.  My thought process was that it was too bright where I was for 400 and I did not want to go as slow as 100.   I guess in my head I looked at it like redscale and thought the longer the exposure the less purple there would be.  This is a pure assumption of mine based on nothing I read or scientific and almost certainly incorrect.

The first set of shots were taken in and around where we were staying and the end of the roll at the airport on the way home.  So how did I get on, well take a look.

The tiles around the pool are white in normal colours

To give you an idea on colour the towels are actually bright yellow

Palm trees


The Hotel


Now for the next three I bracketed the shot.  This is the point where I should be really helpful, tell you all the camera settings so you can see how each exposure setting has changed the look of the result.  Yeah, it was my last day, it was hot, I was by the pool, wearing pool attire, therefore I did not write anything down.  At a guess the middle image was the one around 250iso and the other two, one stop either side. Sorry. 


Palms


The yellow flowers were originally deep red


The next one was taken early morning, the bright sunrise was to the left of the frame

Cruise ship heading to the Harbour


At the airport

The flower was originally bright yellow


Nice spot to watch the Aircraft take off and land



Hope you enjoyed this roll

Zeiss Ikon Nettar

A couple of weeks back I made a request on Twitter to see if anyone would be willing to lend me a MF format camera.  I own a Holga but I have some nice 120 film left that I thought would be better shot through a glass lens, hence the request.

I had no preconceptions as to which camera type I wanted or would be lucky enough to be offered.  Twitter user @Calor_gas_Terry kindly offered to loan me his Ziess Ikon Nettar for which I am very thankful.

Thus we met and he handed the camera over and a lesson and some tips on how to use it.

So here is said camera

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The first thing that struck me was how small the camera is.  Folded closed it actually fits into my pocket.  Opened up it is light and easy to hold.  This camera also had added challenges for me.  Holga aside, the cameras I own are SLR’s with built in light meters thus I can get a handle on exposure and focus.  This camera obviously is different.  With the Holga I am crap at distance and generally shoot everything at ‘infinity’ thus for this first roll at least I planned on doing the same.

Thus the time came I needed to try it out.  Now being the Muppet that I am, for the first roll a normal person would probably choose a standard stock ISO 400 fresh film so that the only variable is the camera.  Moi, I went for (as seen in the above picture) Kodak E100G expired slide film.

Film loaded I then needed to decide on a subject matter.  Those of you that know me, know I do most of my photography during my lunchtimes at work.  (Mundane bit coming up) I had to go to the post office so I figured I would take shots of my walk back to the office.

It was a bright day but I didn’t want to guess the exposure so I used the Lumu iPhone app and took various spot meter readings to then estimate the overall exposure, a completely new thing for me also.

Anyway, enough of the words, here is my walk back to the office.  All images are lab developed and scanned and then I have tweaked them in Snapseed.  They are presented as they are and were shot as a test roll so no great thought on composition or quality.   Enjoy the walk !

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A lighthouse in London, you say!

At work we run a little photography club where a group of us get together and after work go on a walk with our cameras.  Generally it’s a nice slow paced stroll where we learn from each other in what we are trying to shoot but mainly we get to shoot with out friends and family rolling their eyes and telling us to hurry up.

I thought I would share with you the walk from the other week.  The plan was to go to an area in East London known as Trinity Wharf, the draw being that the wharf has London’s only Lighthouse.

The Wharf itself is now an arts centre with lots of street art, sculpture as well as space with working artists.  The lighthouse itself I believe is no longer in use, but was originally used to test lighthouse equipment and also train lighthouse keepers.

I will now take you on the walk with pictures and commentary. All the pictures were taking using an Olympus OM1n, 28mm Zuiko lens and loaded with Fuji Press 800 film, a film I had not tried before.

I took 800 film as all our walks take place in the evening and I wanted to be prepared for the fading light.

We meet at East India Dock station.  This station is on the Dockland Light Railway and is in the East of London, near the north bank of the river Thames.  We walked along the Thames path heading east.

The first view was the O2.  This is an entertainment, concert and sports venue.  It was originally built as the Millennium Dome as part of London’s millennium celebrations.  It was not very well received by many at the time and was known as a bit of a white elephant but architecturally it is impressive.   However over the last few years as the O2 it has become recognised as one of London’s best known entertainment venues.

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The line and dots you see in the third picture above is the cable car crossing linking the north bank with the O2 which is south of the river, but more on that later.

From here we continued along the Thames past some derelict warehouses and across the East India Dock Basin.

The train you see in the third picture below is the Dockland Light Railway I mentioned above

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As mentioned previously the area has a lot of street art and sculptures below are a couple of examples.  Yes that is a tree in a London taxi.

R1-05851-017AR1-05851-020AR1-05851-023AFrom here we headed into Trinity Wharf to see the Lighthouse. Unfortunately we were a bit late (it was around 7:15pm) and the Wharf gates were closing so although we walked in the security guard quickly stopped us and explained we had to leave as otherwise we would not be able to get out again.

A little nod to this guard, he was extremely polite, gave us the normal opening hours, a leaflet guide and told us who to contact for photography tours.  Thus I only managed a snatched picture of said lighthouse,oh well.

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Thus we turned back and headed towards and through Canning Town.   A little note about this area for context.  Canning Town was built up in and around the old working docks of the Thames and the sugar refineries.  It was always known for its its working class roots as well as an area where poverty was prevalent.  There is a lot of regeneration happening here now.  You will be told there are lots of improved housing for the local community but all I could see were flats being built at around £500k for a one or two bedroom apartment for people who work nearby in Canary Wharf or City of London along with the generic coffee shops such is the way of London now.  The pictures below show some of the new flats as well as the regenerated station and surrounding area. As you can see it is still a work in progress.

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Now remember the cable cars I mentioned earlier, well we decided that would be the next stop.  The light was fading fast so we had to rush but I think we caught it in time.

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I hope you enjoyed our little walk.

Film on Film

A slight change to the normal blogs.  This one is a bit of fun (for me at least).   With 35mm invariably being 36expsoures it can sometimes be a bit of a struggle to finish the film.   OK, OK let’s be honest I can sometimes be in a real hurry to finish films.  Thus when I remember, I quite often like to take a picture of the film box or roll that I am shooting.  I jokingly convince myself it’s because it helps me find thus file the negatives correctly as I can see the film.

I am not trying to prove anything here or use it for any scientific purposes.  There is no methodology or consistency, it’s just a bit of fun.

Thus here are the first set of film taken with the very same film.  I hope you find it interesting.

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The Sound of Brighton

If you follow this blog you may have seen my previous blog, The Sound of London.

This is where I shot a roll of Washi S one bright winter’s lunchtime.  As a recap this is an ISO 50 film that is used normally for sound recording.  I got surprisingly good results from that roll.  My plan was to try it in different locations and ‘record’ the sound of that city.  The film is a super high contrast film with pure blacks & whites and not too much in between

I used the same set-up i.e. my Olympus OM1n with an orange filter on the lens and based on the last set of results metered the same which was through the OM’s meter and pretty much as registered.

A quick note, I share this, as I get most of my film knowledge from those who put information out there and sharing information helps us all. Thus I hope this and my previous post helps those that want to shoot this film.

This post is based on the lab scans and at time of writing I haven’t seen the negatives yet, however I have no doubt the lab scans are accurate.

So how did I get on………really not good at all.  Looking through the images, it was very bright day, compared to the previous roll, the sun was much more exposed and the one thing I didn’t really account for was also that the water reflects the sun light.  So what did that give me for some shots, here you go, you may need sunglasses.

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As you can see totally blown and bright white spaces.  No amounting of editing is going to rescue these.

It was the same in the actual town. So did I get anything I liked. Actually yes, but I have to be honest these are very much personal taste, they are not technically good but this film is not about technical perfection.  That said I present to you The Sound of Brighton warts and all.

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Matt Parry made me do it

Those of you that follow me on Twitter (@givemeabiscuit) will know I own a Holga 120n camera.  You will then also know I hold no love for this camera and that is an understatement.

You may also know I really enjoy shooting slide film and that I personally only like slide film processed in E6 chemicals AS IT’S MEANT TO BE.

I am not a fan of having slide film cross processed in C41 chemicals.  To set the record straight here I have nothing against those that cross process it and who enjoy the unpredictable colour shifts they get from it.  I will jokingly tease them for it and give you a good old British frown for doing that to slide film but ultimately each to their own there is no wrong or right (except cross processing slide film, that’s clearly wrong).

Slide film shot through a Holga is not the easiest as you only have basic control so you really need the right light for the day.

Thus when I did a little film swap on Twitter with Matt Parry (@mparry1234) we challenged each other to shoot one of the films in a certain way.  Matt went straight in for my Achilles Heel.  Shoot a roll of expired Provia 100f in a Holga and have it proceesed in C41 chemicals.  So below are the images, most are as scanned and I make no further comment or opinion.

 

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