The Hoff – Roll 14 a day out with Ashley

So I finally got round to shooting The Hoff again. I purposely did not take it on holiday with me as where I went I was travelling light and the temperature averaged 34C most days and I didn’t want to subject myself and the camera to that. Also it was a holiday not a photography trip.

I was excited for the day’s shoot for three reasons:

  1. I was trying out a favourite film of mine Kodak Vision 3 50D. I had never tried it in 120 format before, you can normally only get it in 35mm. This is a cinema film stock and has a covering known as remjet. Thus it needs to be processed by labs that know how to handle it. If sent to a ‘normal’ lab the remjet could foul up their machines. The other reason I sent it to a specialist lab ( SilverPan Film Lab in the UK) is to have it processed in its native chemicals ECN-2. You can get this film with the remjet already removed and thus processed in a ‘normal’ lab in standard C-41 chemicals and that is CineStill 50D 35mm, which is lovely.
  2. I finally invested in a dedicated light meter. A Gossen Digisix2. Previously I had been using a light meter app on my phone. The phone app was relatively reliable, but it started to become a hassle to use having to take my phone out before each shot, unlock it, open up the app and then meter the scene. Also the phone app only gave one reading ie not settings across all the different speeds or apertures. Never having had to pay attention to metering before (my OM’s are through the lens meters) I had to do a bit of reading on the differences between incident and reflective metering. It will take me a while to judge when to use which one.
  3. The main reason I was excited was that I was getting to meet my friend Ashley (@Grumpyfck on Twitter). Ashley is a fantastic photographer and loves his old cameras and black and white films and great guy too.

So it will come as no surprise to anyone who knows us that we met up in a pub in Covent Garden. A couple of beers later we figured we should actually make an effort and go out to take some photographs. I loaded up my film in the pub, obviously I started to load it the wrong way round and then struggled to get the back on to the camera body, much to Ashley’s amusement.

Covent Garden was very busy so finding space to shoot was not easy. This was my first shot using the new light meter.

We decided to head towards the river as it would have been less crowded and there would be more light. We walked along Waterloo Bridge up to the National Theatre, there may have been another stop in a pub en route….

We walked back across the bridge towards Somerset House.

Whilst this may seem like a short walk this took us most of the afternoon as we were strolling, talking and taking photos. It was also thirsty work, so we may have stopped in another pub after Somerset House.

Overall I am pleased with this roll shot through The Hoff. The light meter was easy to use, the film has given me the colour palate I had hoped for and I had a great afternoon out. It was a pleasant change from the last few rolls of misadventure to get back on track.

The Holiday rolls 4&5:  Kodak Vision 250D

Firstly apologies for the time taken for this update it has been a bit busy recently.

So quick recap I took 10 rolls of film with me on holiday recently to Malta and I have been sharing my results here.   So far we have had

Roll 1: Oriental Seagull 100

Roll 2: Kodak E100VS

Roll 3 : Velvia 50

Roll 8 : Film Washi S

Roll 10:  New Lomochrome Purple 

In hindsight probably should have done them in order.

For this update I shot two rolls of Kodak Vision 3 250D.  This is a cine film designed for daylight shooting.  The film has a remjet coating so is not processed by most labs.  It is also designed to be processed in ECN2 chemicals but can be processed in C41 chemicals once the remjet has been removed.  

I mention this as I was lucky enough that these were processed in their native ECN2 chemistry.

I get my Cine films from https://ntphotoworks.com/ they are also who I use for getting them processed.  They now sell ECN2 kits for those who home develop.  These were developed (and two rolls of Vision 50D) in ECN2 to test the kits, as for Cine film this is not their current standard offering and I was very happy for them to use the rolls as test rolls.   Please contact them directly for any further info.  (This is not a sponsored blog btw)

Thus back to the setting.  At this stage in the holiday my meter had broken on the camera so I was bracketing more than normal.  In hindsight, especially with this film stock it probably was not as necessary as the differences between one stop were not huge.

The location was M’dina Malta.  This is known as the quiet city.  It is full of narrow streets and paths and is set among the hills.  The city was also used for quite a few scenes in Game of Thrones.  All the photos have been taken using an Olympus OM1n.   IMHO the Kodak Vision films are one of the best colours film out there, better than any standard colour C41 films and easier to handle than slide film.  See what you think